'Three paintings by Albert-Charles Lebourg and philosophical foundations of Impressionism of the last third of the XIXfirst third of the XX centuries' - 'SENTENTIA. European Journal of Humanities and Social Sciences' - NotaBene.ru
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SENTENTIA. European Journal of Humanities and Social Sciences
:

Three paintings by Albert-Charles Lebourg and philosophical foundations of Impressionism of the last third of the XIXfirst third of the XX centuries





, , " "

660041, , . , , 79, . 4-52

Koptseva Natalia Petrovna

Doctor of Philosophy

professor of the Department of Cultural Studies at the Siberian Federal University

660041, Russia, g. Krasnoyarsk, ul. Pr. Svobodnyi, 79, of. 4-52

decanka@mail.ru

 

 
Reznikova Ksenia

PhD in Philosophy

docent, ,

79, , 660049,

Reznikova Ksenia

prospekt Svobodnyi 79, Krasnoyarsk, 660049, Russia

decanka@mail.ru

DOI:

10.7256/1339-3057.2014.1.10942

:

15-02-2014


:

1-3-2014


: Subject of research in this article is an artistic work of the great French artist Albert-Charles Lebourg. Paintings by Albert-Charles Lebourg belong to the artistic direction of French Impressionism. The authors make the philosophical and art historical analysis of the works of Albert-Charles Lebourg:1) Snow in Auvergne (the original title The Bridge over the Allier in Pont du Chateau in Winter ) (1886); 2) The Banks of the Seine, 1889; 3) The Two Boats in the Rays of the Rouen Sun, circa 1900. Research Methodology has philosophical and art historical analysis, which was developed by Russian philosophers and art historians: Danneel Pivovarov, Vladimir Zhukovsky, Natalia Koptseva. The article describing the method of art history work of art. The authors use the method of conceptual analysis to uncover the philosophical origins of French Impressionism. The hypothesis was proposed that for the first time in European artistic and intellectual practices Impressionism showed a new paradigm, connected with overcoming the difference between a persons internal and external reality, with the discovery of artistic form for expressing primary and universal integrity, given in direct experience and divided in psychic reality into external and internal dimensions. The critical artistic analysis of the three paintings by the great French Impressionist Albert -Charles Lebourg was made: Snow in Auvergne, The banks of the Seine, The two boats in the rays of Rouen sun, the main artistic ideas of these paintings were revealed. A deep conceptual link of the three paintings by Albert -Charles Lebourg was found, on the one hand, both artistic Buddhism and artistic psychologism (as cult (popular) conceptions of European intellectual life before the First World War). It was shown that Impressionist landscapes of this painter create and convey strongest visual impressions, modeling not only visual reality, but integral psychophysical reality, including the process of immediate flow of visual sensations, that has created and is supporting this strongest impression.


: art studies, cultural studies, impressionism, painting, Albert Charles Lebourg, landscape, philosophy of Art, Ernst Mach, Buddhism, visual thinking
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Nevolko, N. N., 2011. The Visualization of Ethnic Theme in the Khakass Artists Paintings and Graphic Works of Art. Journal of Siberian Federal University. Humanities & Social Sciences, 4 (8): 1109-1126.
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Libakova, N. M., 2009. Specific Nature and Applied Methodology of Gender Theory in Cultural Studies. Journal of Siberian Federal University. Humanities, 2 (4): 580-586.
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Bezgodova, Ju. S., 2008. The Transition of an Artistic Image from Material to Index Status: a Pictorial Portrait of Artistic Work. Journal of Siberian Federal University. Humanities & Social Sciences, 1 ( 3): 423-435.
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Sertakova, E. A., Gerasimova, A. A., 2011. Formation of the Russian Siberian Identity in the Wood Engravings of the Krasnoyarsk Craftsmen. Journal of Siberian Federal University. Humanities & Social Sciences, 4 (12):1719-1726.
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Karlova, O. A., 2009. Integrality of Gogols Works and Screaming Contradictions in Understanding Him. Journal of Siberian Federal University. Humanities & Social Sciences, 2 (4): 533-537 .
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Parfentjev, N. P., 2009. About Activity of Feodor Krestjanin the Master of Musical-Written Art of XVI the Beginning XVII Centuries. Journal of Siberian Federal University. Humanities & Social Sciences. 2 (3): 403-414.
27.
Parfentjeva, N. V., 2009. Principles of Authors Art Creativity in Ancient-Russian Church Musical-Written Chanting of the XVI-XVII Centuries. Journal of Siberian Federal University, Humanities & Social Sciences. 2 (2): 184-199.
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Khomushku, O. M., 2010. Shamanism as a Worldview Basis of Ethnocultural Traditions of the Peoples of the Sayan-Altai in Present-Day Society. Journal of Siberian Federal University. Humanities & Social Sciences, 3 (1): 94-100.
29.
Alpatov, M., 1972 .Poetics of Impressionism. French painting of the sec. half. XIX century and its contemporary art culture. In the Proceedings of the 1971 Scholars conference. Moscow: Soviet Artist. pp: 88-104.
30.
Zhukovskiy, V.I., 1971 Theory of fine art. St. Petersburg. Aletheia, pp: 412.
31.
Griber, Yu. A., 2004 Epistemological foundations of artistic creativity (On the material of mythology of Impressionism). M.S. thesis, (09.00.01). Smolensk.
32.
Martyshkina, T.N., 2010. Impressionism: from artistic vision to world outlook. Bulletin of Tomsk State University. 304: 73-77;
33.
Kuznetsova, E.A., 2000 .Aesthetics of Impressionism. Bulletin of Moscow University. Ser. 7: Philosophy. 2: 83-90.
34.
Astakhov, O.Yu., 2001 . Impressionism in the context of cultural and historical methodology of P. Sorokin. Sociocultural dynamics: theoretical, methodological and historical aspects: Proceedings of III interregional. Scientific-practical. Seminar ( Kemerovo, 2-3 December . 1999) / Dep of Culture of Russian Federation, Russian. Inst for Cultural Studies, Kemer . State. Acad. Of Culture and Arts. Editorial Board: G. N. Minenko (Ed. . ) And others. Kemerovo, pp: 34-41.
35.
Kuznetsova, L.V., 2012. Philosophy of Impressionist paintings. Bulletin of Tyumen State University. Philosophy, 10.
36.
Dyakova, M.G. 1998. Impressionism: philosophical concept and being in culture. M.S. thesis, (24.00.01) .Saransk.
37.
Cherepanova, L.S., Nizjeva, L. V. Phenomenon of philosophy of Impressionism in Austria at the turn of the XIX-XX centuries. Electronic resource. URL:http://elar.urfu.ru/bitstream/10995/19404/1/iuro-2013-112-04.pdf
38.
Mach, E., 2005 .Analysis of sensations: relation of the physical to the mental. M.: University Library of Alexander Pogorelskiy, pp: 304.
39.
Mach, E., 1909. Knowledge and delusion. M.
40.
Avenarius, R., 1898. Introduction a critique of pure experience of Fr. Carstanjen (trans.by Lesevich ) . St. Petersburg.
41.
Goncourt, Ed. and J., 1964. Diary. Notes on literary life. Selected pages. In 2 volumes. Vol.1. M.. Khudozhestvennaya literature.
42.
Tinyakova E.A. Professional Ethics for Business Relations // SENTENTIA. European Journal of Humanities and Social Sciences.-2013.-1.-C. 93-99. DOI: 10.7256/1339-3057.2013.1.9454.
43.
Gurevich, P. S. The phenomenon of spirit in philosophical understanding of man // SENTENTIA. European Journal of Humanities and Social Sciences.-2013.-1.-C. 4-842. DOI: 10.7256/1339-3057.2013.1.8932.
44.
Tinyakova E.A. Professional Ethics for Business Relations // SENTENTIA. European Journal of Humanities and Social Sciences. - 2013. - 1. - C. 93 - 99. DOI: 10.7256/1339-3057.2013.1.9454.
45.
Gurevich, P. S. The phenomenon of spirit in philosophical understanding of man // SENTENTIA. European Journal of Humanities and Social Sciences. - 2013. - 1. - C. 4 - 842. DOI: 10.7256/1339-3057.2013.1.8932.
References (transliterated)
1.
Leonsu Benedite. Biographie du peintre Albert Lebourg. URL: http://www.albert-lebourg.org/albert-lebourg-biographie.html
2.
http://www.albert-lebourg.org/albert-lebourg-par-roger-marx.html
3.
http://www.albert-lebourg.org/-samuel-frere-albert-lebourg-.html
4.
http://lesamisdelecolederouen.over-blog.com/article-interview-de-fran-ois-lespinasse-69332795.html
5.
The world art. Impressionism / Comp. by I. G. Mosin., 2006. St. Petersburg: OOO SZKEO Crystal, pp: 69-74.
6.
Zhukovskiy, V. I., 2008. The Visual Content in Representative Paintings of Andrei Pozdeev. Journal of Siberian Federal University. Humanities & Social Sciences, 1(1):124-148.
7.
Zhukovskiy, V. I., 2010. Theory of fine art. St. Petersburg: Aleteia, pp: 412.
8.
Zhukovskiy, V. I.; Pivovarov, D. V., 2008. The Nature of Visual Thinking. Journal of Siberian Federal University. Humanities & Social Sciences, 1(1): 149-158.
9.
Koptseva, N. P.; Zhukovskiy, V. I., 2008. The Artistic Image as a Process and Result of Game Relations between a Work of Visual Art as an Object and its Spectator. Journal of Siberian Federal University. Humanities & Social Sciences, 1 (2): 226-244.
10.
Pivovarov, D. V., 2008 .Objective and Subjective Religiousness. Journal of Siberian Federal University. Humanities, 1 ( 2 ): 250-252 .
11.
Pivovarov, D.V., 2009. Problem of Synthesis of the Main Definitions of Culture. Journal of Siberian Federal University. Humanities & Social Sciences, 2 ( 1): 17-22 .
12.
Koptseva, N. P., 2008 .The Creation Problem in Fundamental Ontology of Martin Heidegger and Modern Theory of Fine Arts. Journal of Siberian Federal University. Humanities & Social Sciences, 1( 3 ): 338-346 .
13.
Coptseva, N. P., 2008. A.P. Chekhov as a Philosopher: Game Phenomenon and Existence in the Face of Death in his Dramas. Journal of Siberian Federal University. Humanities & Social Sciences, 1 (1): 22-38 .
14.
Koptseva, N. P., Zhukovskiy, V. I., 2008. The Artistic Image as a Process and Result of Game Relations between a Work of Visual Art as an Object and its Spectator. Journal of Siberian Federal University. Humanities & Social Sciences, 1 ( 2 ): 226-244 .
15.
Tarasova, M.V., Grigorieva, T. Yu., 2011 .The Architecture of Krasnoyarsk as a Space of Social Identification. Correlation of Cosmocentric and Sociocentric Ideals . Journal of Siberian Federal University. Humanities & Social Sciences, 4 (12) :1705-1718 .
16.
Semenova, A. A.; Koptzeva, N. P., 2009. Truth as a Form of Modelling of Integrity at Social Being Level. Journal of Siberian Federal University. Humanities & Social Sciences, 2(1): 31-55 .
17.
Semenova, A.A., Soshenko, M. V., 2011. Image of Siberia in Artist Aleksander Surikovs Works. Journal of Siberian Federal University. Humanities & Social Sciences, 4 (12): 1743-1766.
18.
Pimenova, N. N., Marysheva, A. V., 2011. Wooden Zodchestvo of Krasnoyarsk City as the Space for Forming Territorial and Ethno-Cultural Identity. Journal of Siberian Federal University. Humanities & Social Sciences, 4 (12): 1784-1793.
19.
Kistova, A. V., 2010. Childrens Art Education in Krasnoyarsk. Journal of Siberian Federal University. Humanities, 3: 581-592.
20.
Klykova, A. V., 2009. Iconographic Research of Paul Gauguins Masterpiece Caricature of Tahiti Governor Lacascade. Journal of Siberian Federal University. Humanities & Social Sciences, 2 ( 4 ): 560-579 .
21.
Nevolko, N. N., 2011. The Visualization of Ethnic Theme in the Khakass Artists Paintings and Graphic Works of Art. Journal of Siberian Federal University. Humanities & Social Sciences, 4 (8): 1109-1126.
22.
Libakova, N. M., 2009. Specific Nature and Applied Methodology of Gender Theory in Cultural Studies. Journal of Siberian Federal University. Humanities, 2 (4): 580-586.
23.
Bezgodova, Ju. S., 2008. The Transition of an Artistic Image from Material to Index Status: a Pictorial Portrait of Artistic Work. Journal of Siberian Federal University. Humanities & Social Sciences, 1 ( 3): 423-435.
24.
Sertakova, E. A., Gerasimova, A. A., 2011. Formation of the Russian Siberian Identity in the Wood Engravings of the Krasnoyarsk Craftsmen. Journal of Siberian Federal University. Humanities & Social Sciences, 4 (12):1719-1726.
25.
Karlova, O. A., 2009. Integrality of Gogols Works and Screaming Contradictions in Understanding Him. Journal of Siberian Federal University. Humanities & Social Sciences, 2 (4): 533-537 .
26.
Parfentjev, N. P., 2009. About Activity of Feodor Krestjanin the Master of Musical-Written Art of XVI the Beginning XVII Centuries. Journal of Siberian Federal University. Humanities & Social Sciences. 2 (3): 403-414.
27.
Parfentjeva, N. V., 2009. Principles of Authors Art Creativity in Ancient-Russian Church Musical-Written Chanting of the XVI-XVII Centuries. Journal of Siberian Federal University, Humanities & Social Sciences. 2 (2): 184-199.
28.
Khomushku, O. M., 2010. Shamanism as a Worldview Basis of Ethnocultural Traditions of the Peoples of the Sayan-Altai in Present-Day Society. Journal of Siberian Federal University. Humanities & Social Sciences, 3 (1): 94-100.
29.
Alpatov, M., 1972 .Poetics of Impressionism. French painting of the sec. half. XIX century and its contemporary art culture. In the Proceedings of the 1971 Scholars conference. Moscow: Soviet Artist. pp: 88-104.
30.
Zhukovskiy, V.I., 1971 Theory of fine art. St. Petersburg. Aletheia, pp: 412.
31.
Griber, Yu. A., 2004 Epistemological foundations of artistic creativity (On the material of mythology of Impressionism). M.S. thesis, (09.00.01). Smolensk.
32.
Martyshkina, T.N., 2010. Impressionism: from artistic vision to world outlook. Bulletin of Tomsk State University. 304: 73-77;
33.
Kuznetsova, E.A., 2000 .Aesthetics of Impressionism. Bulletin of Moscow University. Ser. 7: Philosophy. 2: 83-90.
34.
Astakhov, O.Yu., 2001 . Impressionism in the context of cultural and historical methodology of P. Sorokin. Sociocultural dynamics: theoretical, methodological and historical aspects: Proceedings of III interregional. Scientific-practical. Seminar ( Kemerovo, 2-3 December . 1999) / Dep of Culture of Russian Federation, Russian. Inst for Cultural Studies, Kemer . State. Acad. Of Culture and Arts. Editorial Board: G. N. Minenko (Ed. . ) And others. Kemerovo, pp: 34-41.
35.
Kuznetsova, L.V., 2012. Philosophy of Impressionist paintings. Bulletin of Tyumen State University. Philosophy, 10.
36.
Dyakova, M.G. 1998. Impressionism: philosophical concept and being in culture. M.S. thesis, (24.00.01) .Saransk.
37.
Cherepanova, L.S., Nizjeva, L. V. Phenomenon of philosophy of Impressionism in Austria at the turn of the XIX-XX centuries. Electronic resource. URL:http://elar.urfu.ru/bitstream/10995/19404/1/iuro-2013-112-04.pdf
38.
Mach, E., 2005 .Analysis of sensations: relation of the physical to the mental. M.: University Library of Alexander Pogorelskiy, pp: 304.
39.
Mach, E., 1909. Knowledge and delusion. M.
40.
Avenarius, R., 1898. Introduction a critique of pure experience of Fr. Carstanjen (trans.by Lesevich ) . St. Petersburg.
41.
Goncourt, Ed. and J., 1964. Diary. Notes on literary life. Selected pages. In 2 volumes. Vol.1. M.. Khudozhestvennaya literature.
42.
Tinyakova E.A. Professional Ethics for Business Relations // SENTENTIA. European Journal of Humanities and Social Sciences.-2013.-1.-C. 93-99. DOI: 10.7256/1339-3057.2013.1.9454.
43.
Gurevich, P. S. The phenomenon of spirit in philosophical understanding of man // SENTENTIA. European Journal of Humanities and Social Sciences.-2013.-1.-C. 4-842. DOI: 10.7256/1339-3057.2013.1.8932.
44.
Tinyakova E.A. Professional Ethics for Business Relations // SENTENTIA. European Journal of Humanities and Social Sciences. - 2013. - 1. - C. 93 - 99. DOI: 10.7256/1339-3057.2013.1.9454.
45.
Gurevich, P. S. The phenomenon of spirit in philosophical understanding of man // SENTENTIA. European Journal of Humanities and Social Sciences. - 2013. - 1. - C. 4 - 842. DOI: 10.7256/1339-3057.2013.1.8932.

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