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PHILHARMONICA. International Music Journal
Правильная ссылка на статью:
Лебедева Е.Г. —
The aesthetics of the “new romantics” in the musical culture the second half of the XX century
// PHILHARMONICA. International Music Journal.
– 2014. – № 2.
– С. 219 - 227.
DOI: 10.7256/2453-613X.2014.2.13699 URL: https://nbpublish.com/library_read_article.php?id=13699
The aesthetics of the “new romantics” in the musical culture the second half of the XX century
Лебедева Елена Геннадиевна
кандидат культурологии
Архив РАН
109444, Россия, г. Москва, пер. Ташкентский, 5
Lebedeva Elena Gennadievna
PhD in Cultural Studies
109444, Russia, g. Moscow, per. Tashkentskii, 5
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heleb@mail.ru
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Другие публикации этого автора
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DOI: 10.7256/2453-613X.2014.2.13699
Дата направления статьи в редакцию:
10-12-2014
Дата публикации:
24-12-2014
Аннотация: The article offers the author's opinion on the popular music of the second half of the twentieth century, as the expression “new romantic” tendencies in the culture. Deals with the formation and development of musical culture in the context of subcultural movements. The protests, the associated General spiritual climate of Europe in the 60-80-ies of XX century. Investigated virtualization political processes through the introduction of certain dogmas in a musical environment. The author analyzes the process of nucleation of a new direction in the musical culture. The development of new aesthetics and club movement, media culture. Determines what is the role of video in development of these processes . Explores the phenomenon of the flagships of the “new romantics”. The period of the “new romantics” in the world of art and culture by the standards of history was very short, but, nevertheless, he became eras, the echoes of which still appear in the world of music and cultural space in General and deserve more detailed study.
Ключевые слова:
postmodernism, punk-rock, situationism, Guy Debord, Malcolm McLaren, subculture, Steve Strange, “a new romance”, George O Dowd, “Culture Club”
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35.
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D.K. Kirnarskaya Human talents’ structure from musical prospective // PHILHARMONICA. International Music Journal.-2014.-1.-C. 98-104. DOI: 10.7256/.2014.1.11506.
|
References
|
1.
|
Rozanov V.V. Religion. Philosophy. Culture. Author's collection . M: Respublika, 1992. P. 400
|
|
2.
|
Danuser, Hermann. 1991. "Postmodernes Musikdenken—Lösung oder Flucht?". In Neue Musik im politischen Wandel: fünf Kongressbeiträge und drei Seminarberichte, edited by Hermann Danuser, 56–66. Mainz & New York: Schott.
|
|
3.
|
Yinger J. Contrculture and subculture. – In: American Sociological Review, No.25, 1960. P.625.
|
|
4.
|
Ilyin, I. P. Postmodernism from the origins to the end of the century: the evolution of scientific myth.-M.: Intrada. 1998. P.256
|
|
5.
|
The Fontana Dictionary of Modern Thought. L., 1989. P. 824
|
|
6.
|
Misha Verbitsky. Anticopyright. Book first: Situationism, psychedelia, copyright. url: http://imperium.lenin.ru/LENIN/32/c/c1.html
|
|
7.
|
Centre for humanitarian technologies. Humanitarian technologies and human development expert-analytical portal: url: http://gtmarket.ru/personnels/gi-ernest-debor/info
|
|
8.
|
Guy Debord. The society of the spectacle / La Societe du spectacle. M Logo. 2000. P. 184
|
|
9.
|
Alexander TARASOV. Situationist international. 23-24 August 1998. "Art magazine", No. 24: url: http://saint-juste.narod.ru/situat.htm
|
|
10.
|
Ruhlmann, WilliamMalcolmMcLaren. Allmusic. http://www.allmusic.com.
|
|
11.
|
Vermorel, Fred; Vermorel, Judy. Sex Pistols-the Story from the inside. SPb.: Amphora, 1994. P. 93
|
|
12.
|
The Situationist International Text Library/ url: http://library.nothingness.org/articles/SI/all/
|
|
13.
|
Kokarev, Andrew. Punk rock from a to Y. SPb.: Amphora, 1992. P.46
|
|
14.
|
Burning Britain: The Historyof UK Punk 1980—1984 (Ian Glasper)1.
|
|
15.
|
ADAM & THE ANTS CØMMUNITY ØUTPOST: url: http://www.adamandtheants.org
|
|
16.
|
Ruhlmann, William Malcolm McLaren. Jason birchmeier.http://www.Jason birchmeier.com
|
|
17.
|
Kozlov Alexey. Rock: the origins and development. Art and Design. ID: 82308
|
|
18.
|
Post-Subcultural Reader. Oxford-NY, 2003. P.6
|
|
19.
|
Litmir-electronic library: Alexey Kozlov. Rock. P.47 url: http://www.litmir.net/br/?b=82308&p=47
|
|
20.
|
Aquarium Radio: url: http://www.aquarium.ru/misc/aerostat/aerostat343.html
|
|
21.
|
Discohistory: url: http://discohistory.narod.ru/content/history_of_new_romantics/history_of_new_romantics.html
|
|
22.
|
NEO80: Analytical portal of the 80-ies of XX century: url: http://neo80.ru/culture/new_romantics
|
|
23.
|
Lefebre H. Everyday Life in the Modern world. L., 1971
|
|
24.
|
Hebdidge, D. Subculture. The meaning of Style. L.-NY, 1981. P. 17
|
|
25.
|
Hall, S. Deviancy, Politics and the media.-In: Deviance and Social Control. Ed. P. Rock. L., 1974
|
|
26.
|
Kozlov Alexey. Rock: the origins and development. Art and Design. ID: 82308
|
|
27.
|
s Music Genres.New Romantics url: http://www.pure80spop.co.uk/romantics.htm
|
|
28.
|
Time Z. Magazine for the intellectual elite of society.url: http://www.ytime.com.ua/ru/26/4534
|
|
29.
|
News Blog. This is the news. url: http://www.eternalart.ru/visage/
|
|
30.
|
Jason Ankeny. The Human League. url: http://www.allmusic.com/artist/the-human-league-mn0000895443
|
|
31.
|
The New Romantics. www.pure80spop.co.uk.
|
|
32.
|
People. url: http://www.peoples.ru/art/music/pop/boy/
|
|
33.
|
Croce, Benedetto. Anthology of essays on philosophy. History, Economics, law, ethics, poetry. Sollection of materialov. TRANS. S. Maltseva. SPb. "Pneuma". 1999. P.480
|
|
34.
|
R. M. Aleynik Apology Tolerance in the Contemporary Philosophy of Human // SENTENTIA. European Journal of Humanities and Social Sciences.-2013.-2.-C. 4-7. DOI: 10.7256/1339-3057.2013.2.9565.
|
|
35.
|
D.K. Kirnarskaya Human talents’ structure from musical prospective // PHILHARMONICA. International Music Journal.-2014.-1.-C. 98-104. DOI: 10.7256/.2014.1.11506.
|
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