Статья 'Искусством венчанная мысль. Рецензия на книгу: Холопова В.Н., Феномен музыки. М.: «ДИРЕКТ-МЕДИА», 2014. 384 С. ISBN 978-5-4458-6481-3 ' - журнал 'PHILHARMONICA. International Music Journal' - NotaBene.ru
по
Меню журнала
> Архив номеров > Рубрики > О журнале > Авторы > О журнале > Требования к статьям > Редакция и редакционный совет > Порядок рецензирования статей > Ретракция статей > Этические принципы > Политика открытого доступа > Оплата за публикации в открытом доступе > Online First Pre-Publication > Политика авторских прав и лицензий > Политика цифрового хранения публикации > Политика идентификации статей > Политика проверки на плагиат
Журналы индексируются
Реквизиты журнала
MAIN PAGE > Back to contents
PHILHARMONICA. International Music Journal
Reference:

Искусством венчанная мысль. Рецензия на книгу: Холопова В.Н., Феномен музыки. М.: «ДИРЕКТ-МЕДИА», 2014. 384 С. ISBN 978-5-4458-6481-3

Naumov Aleksandr Vladimirovich

PhD in Art History



125009, Russia, g. Moscow, ul. Bol'shaya Nikitskaya, 13/6

alvlnaumov@list.ru
Other publications by this author
 

 

DOI:

10.7256/2453-613X.2015.1.40180

Received:



Published:

16-06-2015


Abstract: Author of the book is Doctor of Arts, Professor of the Moscow State. Conservatory. Tchaikovsky Valentina Kholopova. The subject of the study was to academic art of music in general, considered from various sides: the history of the concept of "music", features music, musical image, music as a language, musical intonation. A particular focus of work was the musical content, making comparisons were set problems "content" with "semantics" and "hermeneutics", discussed the concept of special musical content - "special and non-special musical content", "three sides of the musical content." Contents also considered in the triad: composer, performer, listener. Connecting the psychological aspect summarized the problems of conscious and unconscious perception of music, psychological analysis of musical form. Introduced also axiological aspect, thanks to the development of criteria for the artistic value of music. The research methodology thus became an integrated, interdisciplinary, connected the theoretical and historical musicology, installation aesthetics, philosophy, semiotics, psychology, linguistics, axiology. The novelty of the work lies in the complexity of this methodology, will open a previously not shown properties of musical art - an aspect ratio of content in different eras, different composers and performers in different works, the distinction between musical eras on the basis of the canon and heuristics, the role of emotions in music, musical manifestation of intonation in the phenomena of Sonora and the sound of music as a language statement, establishing the role of the conscious / unconscious, typology of music listeners, the introduction of the original system of the artistic value of the music. Performance deserves translation into foreign languages, thanks to its fundamental nature, and lack of modern analogues in foreign musicology.


Keywords:

music, image, intonation, musical content, musical language, psychology of form, canon and heuristics, musician, music listener, artistic value

References
1. Kholopova V.N. Muzyka kak vid iskusstva. M., 1990/91; M.,1994; SPb., 2000, 2002, 2014.
2. Kholopova V.N. Muzykal'nye emotsii. M., 2010, 2012.
3. Kholopova V.N. Oblast' bessoznatel'nogo v vospriyatii muzykal'nogo soderzhaniya. M., 2002.
4. Kholopova V.N. Spetsial'noe i nespetsial'noe muzykal'noe soderzhanie. M., 2002, 2008.
5. Kholopova V.N.Tri storony muzykal'nogo soderzhaniya //Muzykal'noe soderzhanie: nauka i pedagogika. M.-Ufa, 2002.
6. Kazantseva L.P. Osnovy teorii muzykal'nogo soderzhaniya. Astrakhan', 2001, 2009.
7. Shaimukhametova L.N. Semanticheskii analiz muzykal'noi temy. M.,1998.
8. Cherednichenko T. Izbrannoe. M.,2012.
9. Agawu V.K. Playing with Sings: a Semiotic Interpretation of Classic Music. Princeton,1991.
10. Dahlhaus C.Die Idee der absoluten Musik. Leipzig,1979.
11. Karbusicky V. Grundriss der musiklalischen Semantik. Darmstadt, 1986.
12. Kretschmar H. Gesammelte Aufsätze über Musik. Bd.2. Leipzig, 1911.
13. Mattheson J. Der vollkommene Kapellmeister. Hamburg, 1739.
14. Ratner L. Classic Music: Expression, Form, and Style. New York, 1980.
15. Tagg Ph. Introductory Notes to the Semiotics of Music. Version 3. Liverpool/Brisbane, 1999, July
Link to this article

You can simply select and copy link from below text field.


Другие сайты издательства:
Официальный сайт издательства NotaBene / Aurora Group s.r.o.