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PHILHARMONICA. International Music Journal
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Soul-image and an image in the creation of English pop musicians (70 to 80 years of XX century). / Soul-image and an image in the creation of English pop musicians (70 to 80 years of XX century).

Лебедева Елена Геннадиевна

кандидат культурологии

Архив РАН

109444, Россия, г. Москва, пер. Ташкентский, 5

Lebedeva Elena Gennadievna

PhD in Cultural Studies

109444, Russia, g. Moscow, per. Tashkentskii, 5

heleb@mail.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2453-613X.2015.1.15027

Дата направления статьи в редакцию:

15-04-2015


Дата публикации:

16-06-2015


Аннотация.

The subjects of study in this article are two concepts: soul-image and image. Offers the author's view on understanding the differences and similarities of these concepts. An attempt to explain the motivation of the choice. What meaning lies in them and that mean people who choose specific a soul- image, and creating a particular image. How important is it to have a creative soul-image and creative image for a popular artist, in particular, in English musical culture. The methodology of the study lies in the comparative analysis of these concepts using the known writings on the subject and personal observations of the author. The novelty of this work consists in introducing into the scientific circulation of creative soul-image and creative image, using as an example the images of popular English artists 70-80 years of XX century. However, the problem understanding of image has created a demand for an ongoing philosophical reflection, and the concept of "soul-image" requires further research.

Ключевые слова: "новая романтика", панк-рок, Зигги Стардаст, Марк Болан, Дэвид Боуи, субкультура, имидж, образ, Стивен Стрейндж, Бой Джордж

Abstract.

The subjects of study in this article are two concepts: soul-image and image. Offers the author's view on understanding the differences and similarities of these concepts. An attempt to explain the motivation of the choice. What meaning lies in them and that mean people who choose specific a soul- image, and creating a particular image. How important is it to have a creative soul-image and creative image for a popular artist, in particular, in English musical culture.

The methodology of the study lies in the comparative analysis of these concepts using the known writings on the subject and personal observations of the author.

The novelty of this work consists in introducing into the scientific circulation of creative soul-image and creative image, using as an example the images of popular English artists 70-80 years of XX century. However, the problem understanding of image has created a demand for an ongoing philosophical reflection, and the concept of "soul-image" requires further research.


Keywords:

"new romance", punk rock, Ziggy Stardust, Marc Bolan, David Bowie, subculture, image, soul-image, Stephen Strange, Boy George

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Belobragin V. J.,.Belobragin V. V. Some aspects of the formation of this science as a science. Imageology-2004. The status, trends, challenges. Proceedings of the Second International Symposium on the science/ ed. by E. A. Petrova, M.: RIC ayim, 2004.-380 p. http://academim.narod.ru/art/bel_1.html
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Bolotova N. P. Self-activity aimed at the creation of the image. Teaching computer science. Scientific-methodical journal. Academy of Informatization of education. 2009. http://window.edu.ru/resource/918/67918/files/2009_3.pdf
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References (transliterated)
1.
Bows V. A.. features of youth subcultures in Russia. Sociological research. No. 6. 2002)
2.
oBochina world. "David Bowie: myself as a puppet". http://www.vodesign.ru/smf1/index.php?topic=908.0
3.
The history of the Gothic subculture. Part III. Immediate predecessors. http://www.gothic.su/forum/archive/index.php/t-332.html
4.
Subculture. Stereotypes about the subculture. The synopsis. http://www.gothic.su/forum/archive/index.php/t-201.html
5.
Nikolai Berdyaev. The experience of the eschatological metaphysics.C. 248,249// Library Yakov Krotov. http://krotov.info/library/02_b/berdyaev/1941_38_07.html
6.
Perelygina E. B. image Psychology: textbook. Section I. Section 1: the notion of the image (with reductions). Moscow: Aspect Press, 2002. Page. 11-23.-233 p.
7.
Saparov, M. A., Word image and visible image (painting-photography-word) //Literature and painting.-L.: Nauka, 1982. P. 66-92.-288 p.
8.
Goncharov A. A. the pursuit of expression. My theatrical addiction-Moscow, 1997.-T. 1.-S. 290.-336.
9.
Fedorkina A. P., R. F. Romashkina The image problem in the context of social psychoanalysis // the image of the civil service. M., 1996. S. 694-696.-701 S.
10.
E. G. Kalyuzhnaya Image : background and cultural study // proceedings of the Ural state University. Humanities. Issue 12. 2006. No. 47. P. 45-52.
11.
Spicheva D. I. the phenomenon of the image in contemporary scientific research. TSU. The Department of social communications. (Electronic resource). http://pr.tsu.ru/articles/139
12.
Belobragin V. J., .Belobragin V. V. Some aspects of the formation of this science as a science. Imageology-2004. The status, trends, challenges. Proceedings of the Second International Symposium on the science/ ed. by E. A. Petrova, M.: RIC ayim, 2004.-380 p. http://academim.narod.ru/art/bel_1.html
13.
Panasyuk, A. I. Image: the definition of the Central concepts of this science. The report at a public meeting of the Presidium of the Academy of imageology 26.03.2004. http://academim.narod.ru/art/pan1_2.html
14.
Perelygina E. B. the notion of the image. Image psychology. Moscow: Aspect Press.2002.-223 p. http://nashaucheba.ru/v30114/perelygina_e.b._psikhologiya_imidzha
15.
Belobragin V. J.,.Belobragin V. V. Some aspects of the formation of this science as a science. Imageology-2004. The status, trends, challenges. Proceedings of the Second International Symposium on the science/ ed. by E. A. Petrova, M.: RIC ayim, 2004.-380 p. http://academim.narod.ru/art/bel_1.html
16.
Bolotova N. P. Self-activity aimed at the creation of the image. Teaching computer science. Scientific-methodical journal. Academy of Informatization of education. 2009. http://window.edu.ru/resource/918/67918/files/2009_3.pdf
17.
Bird P. Sell Yourself. London, 1994. P. 1
18.
Shepel V. M. Imageology: Secrets of personal charm. M.-Culture and sports, UNITY. 1994. S. 6.-320 p.
19.
Nesterenko Elena. Fashion as a way of symbolizing social changes and trends in its institutionalisation in modern society: the case of fashion in women's clothing. §2. FASHION IN THE SYSTEM IMAGE. http://sci-book.com/moda/moda-sisteme-imidja.html
20.
Petrov M. K. Language. Sign. Culture. Ed. 2nd, stereotypical.-M .: Editorial URSS, 2004.-328 p.
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